By Craig Mod
The place is the canopy of a electronic ebook? what's it? How may still we predict approximately e-book covers within the age of iPads, Kindles and electronic interpreting?
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Musées Impériaux Ottomans, see G. Mendel, Catalogue des sculptures grecques, romaines, et byzantines, vol. 2 (Constantinople, 1912-14, repr. Rome, 1966), p. 254f, no. 538. 1. H . Kahler, Der grosse Fries von Pergamon (Berlin, 1948); cf. pis. 54,1; 55, 1-2; 58,2. 2. Radt (note 6). Radt's evidence is a small unfinished area, roughly tooled w i t h the point, at the right side o f the crown o f the head. M . Kunze ("Neue Beobachtungen zum Pergamonaltar," Phyromachos-Probleme, RM-EH 31 , p. ) has shown that the Gigantomachy frieze was finished after the blocks had been put i n place on the building.
A t t a l o s an o r i g i n a l H e l l e n i s t i c w o r k that for art historical was Eumenes' delegate, importance, beauty o f execution, and expressive power especially i n m i l i t a r y campaigns. A f t e r the reported is o n a level w i t h the finest s u r v i v i n g Greek portraits. assassination partner and o f Eumenes most trusted I I at D e l p h i i n 172 B . C . , Attalos assumed the throne and m a r r i e d Eumenes' w i f e Stratonike, b u t stepped d o w n and returned Strato n i k e to Eumenes w h e n the report proved to be untrue.
2 2 8 , for criticism o f the often reiterated hypothesis, suggested partly by the Agora base, that Ariarathes and Attalos studied together i n Athens. 35. , p. 2 2 5 f f . 36. , p. 2 3 4 f f . and Abb. 1 6 - 1 9 for the Ravenna bust; p. 2 3 2 f f . and Abb. 3 - 1 5 for the Farnese bust, now lost but k n o w n from casts; and p. 2 4 o f f . and Abb. 2 8 - 3 1 for the Basel replica. 33. 3 7 . See H . B. Mattingly, " T h e Prytany Decree," Hesperia 1 7 ( 1 9 4 8 ) , p. , cited by Stáhli (note 3 3 ) , n.