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Extra info for Encyclopedia Of Gothic Literature (Facts on File Library of World Literature: Literary Movements)
One of them, “The Nymph of the Fountain” (ca. 1791), describes the use of fire to extract the demonic soul of a cruel woman. After the death of his wife, Lady Margaret Gordon, Beckford was wealthy enough to travel and indulge his whims on money pouring in from his sugar plantations in the Caribbean. He wearied of avoiding stalkers and of concealing his bisexuality, remarking, “How tired I am of keeping a mask on my countenance. How tight it sticks—it makes 24 Bellefleur me sore” (Beckford, introduction, xxx).
New York: Oxford University Press, 1977. 22 Baudelaire, Charles Baudelaire, Charles (1821–1867) The French poet, critic, and translator CharlesPierre Baudelaire found beauty and glamour in the winding sheets and burial vaults of funeral ritual. He supported the development of American Gothic with his embrace of Edgar Allan POE as a literary brother. From his intense examination of Poe’s Gothic imagery, Baudelaire recognized a tormented genius writing for an unappreciative audience. He explained in “Edgar Allan Poe, Sa Vie et Ses Ouvrages” (Edgar Allan Poe, his life and his works) in the April 1852 issue of Revue de Paris that the two authors shared a common temperament, family background, disease and poverty, abuse of alcohol and opium, love of EXOTICISM, and uncompromising literary standards.
The Robber Bride (1993), a best-selling FOOL TALE and updated version of the Grimm brothers’ “Der Räuberbräutigam” (The Robber Bridegroom, 1857), tweaks the cannibalistic original with confessions of three classmates who have weathered neglect and sexual abuse. The fourth, Zenia, a sociopathic FEMME FATALE, tricks the trio by seducing and destroying their menfolk. In the exposition, the author jokingly places Zenia in a formulaic Gothic backdrop: “A European print, hand-tinted, ochre-coloured, with dusty sunlight and a lot of bushes in it—bushes with thick leaves and ancient twisted roots” (Atwood, Robber Bride, 1).