By Richard Dutton, Jean E. Howard (eds.)
The four-volume Companion to Shakespeare's Works, compiled as a unmarried entity, deals a uniquely complete photograph of present Shakespeare feedback. This quantity seems at Shakespeare’s poems, challenge comedies and past due performs.
- Contains unique essays on Troilus and Cressida, degree for degree, All's good That Ends good, Venus and Adonis, The Rape of Lucrece, and The Sonnets, in addition to Pericles, The Winter's story, Cymbeline, The Tempest, Henry VIII and The Noble Kinsmen.
- Includes 11 essays on such subject matters because the reception heritage of the sonnets, collaboration in Shakespeare's center and overdue performs, the standard class of Shakespeare's past due performs, The Tempest in functionality, and the relation of Shakespeare's "problem performs" to the paintings of up to date dramatists.
- Brings jointly new essays from a various, foreign staff of students.
- Complements David Scott Kastan's A spouse to Shakespeare (1999), which excited about Shakespeare as an writer in his ancient context.
- Offers a provocative roadmap to Shakespeare stories.
Chapter 1 Shakespeare's Sonnets and the historical past of Sexuality: A Reception historical past (pages 4–26): Bruce R. Smith
Chapter 2 The e-book of adjustments in a Time of swap: Ovid's Metamorphoses in Post?Reformation England and Venus and Adonis (pages 27–45): Dympna Callaghan
Chapter three Shakespeare's challenge performs and the Drama of His Time: Troilus and Cressida, All's good That Ends good, degree for degree (pages 46–68): Paul Yachnin
Chapter four The Privy and Its Double: Scatology and Satire in Shakespeare's Theatre (pages 69–88): Bruce Boehrer
Chapter five Hymeneal Blood, Interchangeable ladies, and the Early glossy Marriage economic system in degree for degree and All's good That Ends good (pages 89–105): Theodora A. Jankowski
Chapter 6 different types of Collaboration in Shakespeare's challenge performs and past due performs (pages 106–128): John Jowett
Chapter 7 “What's in a Name?” Tragicomedy, Romance, or past due Comedy (pages 129–149): Barbara A. Mowat
Chapter eight type: Shakespeare and Beaumont and Fletcher (pages 150–174): Russ McDonald
Chapter nine position and house in 3 past due performs (pages 175–193): John Gillies
Chapter 10 The Politics and expertise of Spectacle within the overdue performs (pages 194–215): David M. Bergeron
Chapter eleven The Tempest in functionality (pages 216–239): Diana E. Henderson
Chapter 12 What It sounds like For a Boy: Shakespeare's Venus and Adonis (pages 240–258): Richard Rambuss
Chapter thirteen Publishing disgrace: The Rape of Lucrece (pages 259–274): Coppelia Kahn
Chapter 14 The Sonnets: series, Sexuality, and Shakespeare's Loves (pages 275–301): Valerie Traub
Chapter 15 Troilus and Cressida (pages 302–315): Linda Charnes
Chapter sixteen beginning Doubts Upon the legislations: degree for degree (pages 316–332): Karen Cunningham
Chapter 17 “Doctor She”: therapeutic and intercourse in All's good That Ends good (pages 333–347): Barbara Howard Traister
Chapter 18 “You no longer your baby good loving”: textual content and relations constitution in Pericles (pages 348–364): Suzanne Gossett
Chapter 19 “Imagine Me, mild Spectators”: Iconomachy and The Winter's story (pages 365–388): Marion O'Connor
Chapter 20 Cymbeline: Patriotism and function (pages 389–407): Valerie Wayne
Chapter 21 “Meaner Ministers”: Mastery, Bondage, and Theatrical hard work within the Tempest (pages 408–426): Daniel Vitkus
Chapter 22 Queens and the constitution of heritage in Henry VIII (pages 427–444): Susan Frye
Chapter 23 combined Messages: The Aesthetics of the 2 Noble Kinsmen (pages 445–461): Julie Sanders
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Extra info for A Companion to Shakespeare's Works, Volume 4: The Poems, Problem Comedies, Late Plays
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